It just isn’t a portrait of actual individuals, so far as we all know, however the inscription reveals that it’s in reality a sternly moralising image that condemns using cosmetics, and specifically elaborate magnificence patches, which have been in vogue at the time. For those who love the scientific geekery of art historical past, then this is another interesting article which has appeared this month. The Art Newspaper has published a chunk on Italy’s continuing efforts to get more of their state-owned art on view. The most recent project in this vein is the so-called ‘One Hundred Works Return Home’ initiative, which sees one hundred artworks from fourteen museums head off to lesser-known public museums. Planning for the initiative began in 2015 and €1m has been allocated for conservation, transportation and display costs.

  • The metropolis of Half Moon Bay owns several pieces of public art work but until last week