Art & Music Library

A Catholic university located in the heart of New England in Worcester, Massachusetts, Assumption University strives to form graduates known for their critical intelligence, thoughtful citizenship, and compassionate service. We invite you to visit the School of Arts and Sciences performance calendar page and our theatre season page where you can find the dates and times of our events. We hope it helps as you consider your education, and we look forward to working with you as we prepare for the future. At university and during work placements, a passion for Environmentally Sensitive Design and Material Culture Studies developed. She became fascinated with vernacular architecture — buildings and environments built by people lacking “formal” training, yet brilliantly employing materials and traditional processes of local know-how, culture and environment. This CD combines the first recording of Ellen Taaffe Zwilich’s 2020 Cello Concerto with older works from her vast catalog.

  • At the

Art & Music Library

Many cultures have art music traditions; in the Western world the term typically refers to Western classical music. YAM’s beautiful studio features some of Dallas’ best local yoga teachers, artists and musicians. YAM is a yoga studio, art gallery and music venue rolled into one cool space. Yoga Art Music or YAM, is a yoga studio with uplifting teachers and a down-to-earth vibe.

  • Near the end of the first movement, Bailey plays a note that is slightly “warped” in sound which gives the music an unusual feel.
  • Art & Music Histories offers courses covering global histories of art, architecture, and music from antiquity to the present day.
  • The Bob Crewe Program in Art and Music enables students to explore the deep relationship between art and music.
  • Writing such reflective, slow music for the last movement is surely unusual, but in time the tempo doubles as both lower strings and winds

Art & Music Library

It definitely seems to be closer to the definition of art than music in my opinion anyway. Gottfried von Leibniz (1646–1716), music reflected a universal rhythm and mirrored a reality that was fundamentally mathematical, to be experienced in the mind as a subconscious apprehension of numerical relationships. Johannes Kepler (1571–1630) perpetuated, in effect, the idea of the harmony of the spheres, attempting to relate music to planetary movement. St. Thomas Aquinas (c. 1225–74), held the basis of music to be mathematical; music reflects celestial movement and order. Such returns to simplicity, directness, and the primacy of the word have been made periodically, out of loyalty to Platonic imperatives, however much these “neo” practices may have differed from those of the Greeks themselves.

Hailing from Columbus in Ohio, his musical and heady sound has a certain kick to it that root you to the floor yet always help you arrive at …

Art & Music Library

Svedlund plays it with a Romantic sweep, but Gražinytė-Tyla relaxes it still further, as if trying to coax the sadness in this music to come forward. Thus he and those musicians who thought as he did would probably appreciate this book. It also helps that tenor saxist Dann Zinn, who joins him on his three original pieces , is also an exceptional improvising artist. In addition, Zinn plays some unusual notes and fills behind the leader, both during theme statements and later in these tracks. If you listen carefully to the opening track, Feelin’ It, you will note that it is somewhat irregularly composed; the second half of the initial chorus statement falls into an irregular rhythmic pattern that one seldom heard in the early ‘60s.

Get a license to the entire catalog with unlimited downloads for a full year. DJ Aloha (Colombia, 198somethin’) does not scowl and looks mean …

Art & Music Library

Svedlund plays it with a Romantic sweep, but Gražinytė-Tyla relaxes it still further, as if trying to coax the sadness in this music to come forward. Thus he and those musicians who thought as he did would probably appreciate this book. It also helps that tenor saxist Dann Zinn, who joins him on his three original pieces , is also an exceptional improvising artist. In addition, Zinn plays some unusual notes and fills behind the leader, both during theme statements and later in these tracks. If you listen carefully to the opening track, Feelin’ It, you will note that it is somewhat irregularly composed; the second half of the initial chorus statement falls into an irregular rhythmic pattern that one seldom heard in the early ‘60s.

  • Unexpectedly beautiful Experimental Pop Percussion that is intricate, playful and powerful, and that delights the ears, eyes and heart.
  • In addition, his piano is

Art & Music Library

Music in all its varied forms is the most accessible and affordable form of art we have today. Justine is involved in project conceptualization, instrument design, and all facets of art direction . She’s also involved in stage direction, music critique and future developments. Unexpectedly beautiful Experimental Pop Percussion that is intricate, playful and powerful, and that delights the ears, eyes and heart. The Romance for violin and orchestra is a nice piece, developing from a somewhat over-sweet opening into some very interesting modal variations at a faster tempo.

  • One is struck, for instance, how the solo harpsichord passages somehow manage to sound sad as well, since this is one of the most cheerful-sounding instruments in the world.
  • Gottfried von Leibniz (1646–1716), music reflected a universal rhythm and mirrored a reality that was fundamentally mathematical, to be experienced in the mind as a subconscious apprehension of numerical relationships.
  • We are

Art & Music Library

And clearly, by the time he wrote the Seventh Symphony for harpsichord and orchestra in 1964, Weinberg’s sadness had clearly set in. In 1949, angry at his very modern scores, Stalin had his father-in-law killed in what was made to look like an auto accident, but the composer wasn’t fooled. He knew it was a “hose’s head” warning to him to play ball or face harsh treatment, possibly even death. By this time, the composer had formed a bond with Rudolf Barshai, conductor and co-founder with harpsichordist Andrey Volkansky of the Moscow Chamber Orchestra, and Barshai led the first performance of this symphony in 1964 with Volkansky as soloist.

  • Schools and universities use the music/art connection to enhance student learning.
  • Such returns to simplicity, directness, and the primacy of the word have been made periodically, out of loyalty to Platonic imperatives, however much these “neo” practices may have differed from

Art & Music Library

Now mind you, I’m not saying that there’s anything wrong with Svedlund’s performance. All music is open to interpretation, and unless it is insensitive, there’s nothing wrong with a straightforward reading of the score, particularly in this early stage of Weinberg’s career when his angst was not so keenly felt. What Gražinytė-Tyla does is to “preview” the growing sadness in his music through her interpretation. Or maybe it’s just a matter of Rudolph codifying already-existing forms used by jazz musicians in a new and, to me at least, more complex manner. The purpose of this book is to inspire both instrumentalists and composers to look at musical elements in new ways.

  • But the uses he envisioned for music, despite his innovations, were in the mainstream of tradition; Luther insisted that music must be simple, direct, accessible, an aid to piety.
  • Zithers and oriental flutes were perfectly arranged to make ‘Diwali’

Art & Music Library

He does not play it safe; he jumps into the fire feet first, exploring extended chord positions and somehow landing on notes you’d never expect, giving one the thrill of hearing a master improviser in his element. At the beginning of the 20th century, art music was divided into “serious music” and “light music”. During the second half of the century, there was a large-scale trend in American culture toward blurring the boundaries between art and pop music.

  • Both Henry Threadgill and Wadada Leo Smith, whose work I like quite a bit, have high praise for this system and claim it will help the improvising musician.
  • Except for his overly frantic and too cheerful reading of the Rondo-Burleske, however, this is one of the greatest performances of this symphony you are ever likely to hear.
  • Mezzo-soprano Elīna Garanča has established herself as a major star through her highly acclaimed performances

Art & Music Library

Bychkov gives some interesting accents on the low string theme that follows, particularly the first time around, emphasizing the sadness of the music. From the very first notes of the Schoenberg Klavierstücke, one is aware of the fact that Iman is an artist and not just a technician. His phrasing and subtle use of dynamics mold and shape this music in ways I’ve never quite heard before. There is a certain “curvelinear” feel to his phrasing that attracts the listener, despite the fact that this is already 12-tone Schoenberg. In addition, his piano is recorded perfectly, giving his sound great clarity with just enough natural reverb around the instrument to not make it sound like an echo chamber.

The Bob Crewe Program in Art and Music enables students to explore the deep relationship between art and music. Made possible by the largest gift in the College’s 132 year history, a …