Pierre Bourdieu, for instance, argued that in spite the apparent freedom of alternative within the arts, people’s creative preferences strongly tie in with their social position. So called cultural capital is a significant component in social mobility (for example, getting a higher-paid, higher-status job). The argument states that certain art museums are geared toward perpetuating aristocratic and upper class ideals of style and excludes segments of society with out the social alternatives to develop such interest. The fantastic arts thus perpetuate social inequality by creating divisions between different social groups. This argument additionally ties in with the Marxist theory of mystification and elite tradition. ] argue these galleries defeat their functions because their dramatic interior areas distract the attention from the paintings they’re supposed to exhibit.
It was initially housed within the Renwick Gallery, inbuilt 1859. Now a part of the Smithsonian Institution, the Renwick homes William Wilson Corcoran’s assortment …