Zwilich’s well-known combination of tonal, melodic music with modes and modern harmonies tossed in for flavor are clearly on display here, but so too is Zuill Bailey’s cello. In fact, except for his second recording of the Bach Cello Suites, issued a few months ago, I can’t recall hearing any other recording by him that so perfectly captures his gorgeous, manicured tone. In fact, judging just by those two recordings, I would go out on a limb and say that his tone has actually grown in richness and depth of sound. He used to sound like Emanuel Feuermann; he now sounds like Mstislav Rostropovich.
- By playing and practicing inside the Matrices and Cosmograms a musician will develop dexterity on any instrument in ways that are different from practicing scales and arpeggios.
- She also provides excellent contrasts between the cellist’s lines and the orchestra.
- Students studying design, art or music at Assumption have numerous opportunities to explore their creativity and showcase their talents.
- He has a real affinity for this music as a rule, thus I always give his recordings a fair audition.
Hammond organist Brian Ho, on the other hand, is just a rhythmic player who swings. He’s not as inventive as Jimmy Smith or Barbara Dennerlein , who are the two best jazz organists of my lifetime. Were his bandmates not on such an exalted level, it probably wouldn’t matter so much, but since they are, my verdict is that he is OK but nothing to write home about.
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This year’s contributors included Dan Herro, Emma Daisy, Teresa Sahar, Stanley Ryan Jones, Laila Amin, Jeremy Novy, Luke Chappelle and many more! Milwaukee’s own garage rockers Devil’s Teeth added their own special “art” vibe to the event and WMSE DJs the Nitecrwlrz spun the soundtrack to the evening. Renowned local artist Emma Daisy was the featured artist for this year’s Art & Music promotional artwork.
Sound Art
Both are humanly engineered; both are conceptual and auditory, and these factors have been present in music of all styles and in all periods of history, throughout the world. Art music (alternatively called classical music, cultivated music, serious music, and canonic music) is music considered to be of high phonoaesthetic value. It typically implies advanced structural and theoretical considerations or a written musical tradition. In this context, the terms “serious” or “cultivated” are frequently used to present a contrast with ordinary, everyday music (i.e. popular and folk music, also called “vernacular music”).
Summer Restorative with Sound With Tanya Hardison & Tara Kristof
The long but whimsical Ländler movement also has its surprises, again with accents and details normally glossed over. I also loved the swagger he gave to the music here; I’ve never heard this movement conducted as well. I also loved the way he did the “Rondo-Burleske,” almost making it an extension of the Ländler—but in the latter part of this movement, Rattle gets out of control. He makes up for it with a deeply-felt “Adagio,” however; this is as good as Solti’s performance. Although I get sick and tired of reviewing constantly-retreaded repertoire, I make exceptions for those few artists who are real interpreters and who have an affinity for certain composers of this kind of music. Simon Rattle is one such, particularly where Mahler or French impressionists are concerned.