Music in all its varied forms is the most accessible and affordable form of art we have today. Justine is involved in project conceptualization, instrument design, and all facets of art direction . She’s also involved in stage direction, music critique and future developments. Unexpectedly beautiful Experimental Pop Percussion that is intricate, playful and powerful, and that delights the ears, eyes and heart. The Romance for violin and orchestra is a nice piece, developing from a somewhat over-sweet opening into some very interesting modal variations at a faster tempo.
- Many people even hear music in their dreams, and some see colours when they hear music; a form of synaesthesia.
- The term “art music” refers primarily to classical traditions that focus on formal styles, invite technical and detailed deconstruction and criticism, and demand focused attention from the listener.
- In the context of Adderly’s soul jazz, Ho plays very well, but again it’s the leader who commands the most attention.
A visionary musician schooled in jazz and world music traditions, Gregory draws inspiration from avant-garde composers of the 20th and 21st centuries. He learned the art of metal fabrication in order to create instruments that could give expression to his unique musical voice. Gregory composes music for quintet, orchestra and film, creates musical instruments from industrial scrap, and choreographs movement. Now, this is scarcely the deepest of Weinberg’s symphonies—the second movement is light and airy, in her hands as well as in Svedlund’s—yet even here she just gets something extra out of the music. Both she and Svedlund present a boisterous profile for this movement, but only she manages to elicit so much inner detail.
Not that the entire song itself is predictable, but just that it follows recognizable patterns to some extent. Art music is a term that describes any type of music that has a more complex structure than popular music and requires the listener to pay attention. In general, popular music is catchy and doesn’t require anything from the listener. Art music typically is an acquired taste where the listener must either study before valuing it or must listen attentively to appreciate it. Aristotle, following Plato, thought that music has power to mold human character, but he would admit all the modes, recognizing happiness and pleasure as values to both the individual and the state. Aristotle made a distinction between those who have only theoretical knowledge and those who produce music, maintaining that persons who do not perform cannot be good judges of the performances of others.
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As in some of her other works, too, Zwilich throws in some clear jazz references—here, at least, in the earlier jazz-classical style of Gershwin, only a bit more modal. She also provides excellent contrasts between the cellist’s lines and the orchestra. For the most part they are on the same page , but there are some wonderful moments in which they play opposing figures that complement one another. Near the end of the first movement, Bailey plays a note that is slightly “warped” in sound which gives the music an unusual feel.
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‘Ethera’ by Sasson is a piece that invites us to reflect on life without leaving the dance-floor. It features delightful moments of calmness yet showcases resolutely uplifting parts. With its magical sounds it keeps one’s mind completely focused at all times. Called a “master composer” by The Boston Globe for his jazz orchestra’s debut CD, First Storybook, Hans Indigo Spencer’s career includes working with theater directors, filmmakers, animators, and choreographers. He is also an educator who has been teaching music for over 20 years and recently joined MECA&D as an adjunct instructor in the newly launched Bob Crewe Program in Art and Music.
Schools and universities use the music/art connection to enhance student learning. There are music and art classes and training camps for students across the world. The Australian Chamber Orchestra has a series of video lessons designed to help students understand how music works. The ACO has one on how abstract art and shapes are depicted in music.
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I really don’t think that any review or liner notes could be more eloquent than that. And as a bonus, Mr. Perelman was kind enough to send me these great photos of he and Mr. Shipp together. It really is a joy for them to play together, and in this CD that joy has truly come to…Fruition.
The album closes with The Old Country, a song that Cannonball Adderly wrote for vocalist Nancy Wilson back in 1961. This is a nice, upbeat performance, and although the original tune wasn’t one of the strongest that Adderly ever wrote, Witzel again does wonders with it. In the context of Adderly’s soul jazz, Ho plays very well, but again it’s the leader who commands the most attention. Yet it is Nocturne No. 7 which sounds the most like one of his Cartas Celestas with its rumbling arpeggios and asymmetric, impressionistic melody line. In addition, No. 8 almost sounds like a continuation of No. 7, albeit with a different theme.
We see them as catalysts to build Labs, Exhibitions, and Festivals as momentums for the better. We’ve managed to teach ourselves how to express ideas through written words, as well as emotions through art and music. Through our art and music, the emotion felt by an artist may be encoded through color, shadow and harmony to be decoded and experienced by an observer or listener. By consciously focusing on art and music together, we can create new art forms.
His broadcast composing credits include shows on the National Geographic Channel, the History Channel, PBS, Cartoon Network, and Discovery. He has created music for plays staged at Portland Stage Company, including Snow Queen, Iron Kisses, Magnetic North, and Passion of the Hausfrau. Hans studied at Oberlin Conservatory and earned a Master’s degree in jazz studies from the New England Conservatory. The event centered around a large art auction featuring nearly 200 album-sized 12″ x 12″ birch boards created by locally and nationally recognized artists.