Author: andrean

Boethius (c. 480–524), was well suited to the needs of the church; the conservative aspects of that philosophy, with its fear of innovation, were conducive to the maintenance of order. The role of music as accessory to words is nowhere more clearly illustrated than in the history of Christianity, where the primacy of the text has always been emphasized and sometimes, as in Roman Catholic doctrine, made an article of faith. In the varieties of plainchant, melody was used for textual illumination; the configurations of sound took their cue from the words.

• YAM’s beautiful studio features some of Dallas’ best local yoga teachers, artists and musicians.
• Boethius (c. 480–524), was well suited to the needs of the church; the conservative aspects of that philosophy, with its fear of innovation, were conducive to the maintenance of order.
• Eventually, the busy elements of this movement fade away, there is a moment of

It definitely seems to be closer to the definition of art than music in my opinion anyway. Gottfried von Leibniz (1646–1716), music reflected a universal rhythm and mirrored a reality that was fundamentally mathematical, to be experienced in the mind as a subconscious apprehension of numerical relationships. Johannes Kepler (1571–1630) perpetuated, in effect, the idea of the harmony of the spheres, attempting to relate music to planetary movement. St. Thomas Aquinas (c. 1225–74), held the basis of music to be mathematical; music reflects celestial movement and order. Such returns to simplicity, directness, and the primacy of the word have been made periodically, out of loyalty to Platonic imperatives, however much these “neo” practices may have differed from those of the Greeks themselves.

• My Beatport lets you follow your favorite DJs and labels so you can find out when they release new tracks.
• It’s said that the Russian artist Wassily Kandinsky

Zwilich’s well-known combination of tonal, melodic music with modes and modern harmonies tossed in for flavor are clearly on display here, but so too is Zuill Bailey’s cello. In fact, except for his second recording of the Bach Cello Suites, issued a few months ago, I can’t recall hearing any other recording by him that so perfectly captures his gorgeous, manicured tone. In fact, judging just by those two recordings, I would go out on a limb and say that his tone has actually grown in richness and depth of sound. He used to sound like Emanuel Feuermann; he now sounds like Mstislav Rostropovich.

• Gobi Desert Collective and Copal join the label with their track ‘Ambedo’, a darker release that maintains the fresh personality of the Art Vibes collective.
• Plato valued music in its ethically approved forms; his concern was primarily with the effects of music, and he therefore regarded